This was all sent to MaxMSP, which in turn was used to transform the raw input into meaningful musical control information for Live. A way of doing this would have been to create a Max MSP patch that would be able to switch between multiple video clips based on reactivision symbols and LEAP.
Reactivision max msp patch software#
This gap, as well as the velocities and durations of the notes, can be randomized within a specific range. OSCulator supports the OSC protocol which makes it able to be used with a wide variety of software and devices like Processing, Max/MSP or the Lemur multitouch. MIDIgran cloud generates a stream of notes at a certain rate, specified by the time gap between successive notes.
A simple face tracking patch, based on the cv.jit package objects. These patches take the idea of granular synthesis and apply it to MIDI notes. Utility ADAD2402 max MSP playback samples sound.
The TUIO protocol was initially designed for encoding the state of tangible objects and multi-touch events from an interactive table surface such as the Reactable. Cameras in each tower were fed into embedded systems running a custom build of ReacTIVision which tracked both symbols as well as body movement and camera activity. 'The Future' a UV table Interface - Reactivision + Max MSP northernaudi0. An easy-to-use patch for randomizing all synthesis parameters of the DSI Mopho X4. reacTIVision is a standalone application, which sends TUIO messages via UDP port 3333 to any TUIO enabled client application. Im trying to use reactivision / max/msp / ableton live / processing to create a multitouch interface that both controls audio (in live) and video (in processing.) ive gotten to the point of getting both to run seperately. The installation’s technology combined Ableton Live, Cycling74 Max and ReacTIVision. 0 Comments The Future a UV table Interface. The central tower produced the core of the mix: drums, bass, drones and the main harmonic progressions, and had architectural bamboo that could be tapped to trigger percussive sounds within the mix. Participants standing in front of the monoliths were able to manipulate a different melodic instrument’s volume, pitch or unique audio effect by moving their body and waving fans branded with special symbols. “The Echo Temple included six monolithic speaker towers with motion tracking cameras encircling a central tower including subwoofers.
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